RIN – …
Experimental texts, 2008
joint project with Rosica... More
recording of the performance Translucent Matter...
recording of the performance Translucent Matter on 5 April 25
poems, Critique and Humanism Publishing, 2023
Born of Tear and Snow
In winter, things get snug
the roads narrow and converge
people are hiding in their clothes, showing
only the bare necessities, now an ear, now an eye,
to find their way north and south
In the gardens the snails have slept a 100 year sleep
only here and there the snowdrops gathered in groups laugh
yellow and green tinkle-clang shyly
the petals of their calyxes have the shape of
of snow crystals, of snow
flowers on the windows.
When I was born, my grandmother
gave my mother
a bunch of snowdrops –
grandma standing on the first floor,
looking up at mother, who carries me
in her arms, clutching the bouquet,
as if to keep it.
When Eve was expelled from paradise,
and wanders without hope across the snowy plain,
an angel comes and creates a flower of snow,
and the flower speaks to Eve:
Anything past
returns again.
Т. Lessing
Self-portrait with wind
rough
the wind is a whirl
of dusty leaves grasses
and midges
a woman
sitting under a tree
motionless
body fluttering
her hands want to
express something
but the fingers are
curled inward in the palm like
a bird that cannot yet fly
in the tree
crown with sharp thin leaves thickly
side by side
sparrows blue and rustling
the woman’s head is transparent
the thoughts are seen
standing on little chairs
grey- blue and whispering
the sparrows above are a world of
feathers and glory
the midges sometimes call
with a voice which the wind amplifies and
envelops like hair
her head
where the eyes are there are
little purple shadows, paws of
memories
suddenly her body sings
(without voice) this is a song
(without words)
how does
her body know this song?
the wind says
sure where it comes from
too, but no one asks
the wind
where it comes from
Waiting for the North
People walk along the streets
as if they were gliding boats in a
winter sea
sometimes they wave their hands
it’s the usual greeting
it means “Here’s the winter sea sheltering us!”
sometimes they touch
their noses with a glove, it’s a sign “Good day,
how’s life!”
My friend, born in
Ventspils, says that very rarely
but it happens, the boats collide
then they get philosophical and
get engaged, or they invite
each other for smoked fish and beer in
their warm houses, which look
like cabins, and they all have slippers with thick soles
to forget the swaying on the deck
(their language too – it’s like stomping with slippers)
I can’t judge (hence, from afar)
how they smile
men have moustaches no doubt
and find it easier
but women and children
have more smiles in store
the eyes of the northern people
are most likely clear blue
their eyelids are anchor-shaped
and when they say “Yes” the anchors drop slightly
and for a moment the boats
stop
and their sea hearts
gurgle with a strange
rhythm
the northern people
call the gurgle
RIN “Saga” and tell, each
differently,
how they were
born in
sea storms
in boats of
black yew…
I think the drinking of coffee
and tea suits them
so well to
gain equilibrium
in this sea-life
in which the imagination is
the very beating heart of the sea
(their clocks measure not
minutes, seconds, but beats)
I arrive
at 3 o’clock north time
called
“the hour of the arrival of
the guest of sea foam and whispers”
a.k.a. friend who I don’t know yet
but have dreamed of as
a glowing fish
Dream Grammar
2.5 by 4 sq. meters
full of night sleep
in the corner the bag which
I rarely take when
walking, it holds
many dreams because it is
the first thing I see
every morning, left
on the handle of the wardrobe
its door is half closed
and dreams can enter
into it, some sneak in through the
blinds, I open the window, but
I still hope that
most of them like my room
and stay at least a few hours
(that dream about the glowing fish
is still lurking somewhere
in the corners)
even in the radiator, in the
backs of the old armchair
there are a few that feel comfortable
and safe (that dream with my grandmother
when she was young)
a whiff of some dreams stays
forever, it seems to me that it is lingering
in the corners of the objects, so
more and more often I touch them gently
without touching the corners
the objects still need
dreams, otherwise
they will feel
cheated
the dreams change them –
have you noticed? –
dream = corner, where the E of dream shifts
Experimental texts, Horizonti Publishing House, 2007
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